The Afterwards

I’d seen and heard all sorts of good things about this on twitter before I received a copy from Bloomsbury for review (imagine my excitement at finding it was signed too!).

However, as is so often the case, I’d heard how great it was but didn’t actually know anything about it! Normally, I’d find out a bit about it before deciding to read it or not but in this case Emily Gravett decided for me! I’m such a fan of her picture books that I wanted to read this if only for the illustrations!

And I wasn’t wrong to – they are both very like some of her picture book work in some ways and much more detailed and with an older feel in others, which is as it should be for an older children’s book.

Her use of both incredibly detailed pencil sketches and bright colour images not only mirrored and matched the storyline but really enhanced it, adding extra atmosphere and bringing home what was happening.

The illustration felt really fresh and modern, whilst retaining a traditional method and style. The girls and Harry felt expressive and real and the cat in particular was (in my mind) a perfect representation of his character in the story.

Ah yes, the story:

Ember and Ness are best friends. There’s nothing more to say about it. It is what it is. It is what will always be. Ember and Ness. Then Ness dies.
When Ember finds a way into the Afterworld, she determines to bring Ness back. Because that’s what friends do isn’t it? They rescue each other. They help. They never give up.

 

This is ultimately a story about death – loss, grief, letting go and moving on; I can see it being a great book for a lot of children dealing with these things, with many aspects of death (finding out about it, the funeral, getting on with life) tackled head on, but in a very age-appropriate way.

I would say that due to the nature of the story – the mysterious afterworld and the way that works – it would probably be better for slightly more mature readers who’d be able to easily separate the fantasy elements of the story from the more real aspects.

However, this is also what makes it a universally good read with a wider appeal. Sensitively written, it takes an incredibly tough, real situation and everyday life and combines it with fantasy to create a story which is at once familiar and otherworldly. For those who are in, or have been in, Ember (or Graham)’s situation coping with loss, there’s plenty of subtly delivered advice and comfort; for those who (fortunately) have not had to deal with this, there’s a supernatural story firmly rooted in familiar settings, making this ideal for fans of a range of MG fiction – from Lisa Thomson’s ‘The Light Jar’ to Neil Gaiman’s ‘Coraline’, for example.

I thought the relationships in the story were one of its strongest points – very believable and easy to relate to, with characters it was easy to warm to. Both the relationship between Ember and her dad, Harry, and her friendship between Ness and Ember were very well depicted, in both the text and illustrations, with little details giving them added depth and credibility.

Characters such as the cat and Ms Todd gave the book an extra dimension and the fact that their roles are left obscure and undefined I thought was very clever in giving the reader something to ponder and draw their own conclusions from. However, I would have liked a more definite conclusion to Uncle Graham’s role in the story, but that’s just me!

The real world felt, well, real – familiar and relatable in both text and image, while the mysterious, grey afterworld Ember follows Ness to is just that – an eerie place that’s easy to imagine but feels goosebumps-strange. The way it mirrors the real world in a warped sort of way was very clever: similar enough to keep the focus on the characters as they come to terms with their loss without getting lost in fantasy world-building, whilst being strange enough to provide interest, mystery and space away from that reality.

Overall, I thought this was an imaginative, personal and touching take on a difficult topic (I especially liked the way the scene was set in the prologue), which strikes a delicate balance between real life and fantasy. Harrold and Gravett have previously collaborated on ‘The Imaginary’, which I’ll be keen to read after this.